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arebyte Gallery are pleased to announce Trickle Down, A New Vertical Sovereignty, a new body of work by UK based artist Helen Knowles.
Trickle Down, A New Vertical Sovereignty is a tokenised four-screen video installation and generative soundscape attached to the blockchain, which explores value systems and wealth disparity. The artwork is composed of auction scenes, performances and choral interludes by different communities such as prisoners, blockchain technology employees, market sellers, and Sotheby’s auction bidders. Trickle Down, A New Vertical Sovereignty draws on technological and financial power structures which traditionally scaffold the disparity between a wealthy elite and everyday working people but looks to re-imagine our vertically stacked digital ecosystem to horizontally distribute wealth.
The installation commences when a visitor drops a pound coin into a machine designed to expose the mechanisms needed to convert fiat currency into crypto-currency. Each and every member of the Trickle Down community, who has helped the work come to fruition, will receive a share of the ETH via a smart contract on the blockchain.
What are the technological and financial power structures governing value and the distribution of wealth in our society? And who really stands to benefit?
Opening Thursday 23 January 2020, 6-9pm
Exhibition runs 24 January - 26 February 2020
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Helen Knowles (b.1975) is an artist and curator of the Birth Rites Collection. She has a BA Hons from Glasgow School of Art and MFA Fine Art from Goldsmiths University. Knowles’ practice stems from an interest in the new sovereign territories of the internet and the digital world. Her most recent film work, The Trial of Superdebthunterbot, is a 45 minute doc-fiction where she put a debt collecting algorithm on trial at Southwark Crown Court. The defence and prosecution was written and performed by real lawyers and a real jury deliberated to find whether the algorithm was guilty or not.
She lectures widely around the UK and abroad. Recent and forthcoming shows include; ‘Future and the Arts: AI, Robotics, Cities, Life - How Humanity Will Live Tomorrow’ The Mori Art Museum, Tokyo, NEMO festival, Paris, The Ministry of Justice and Consumer Affairs, Berlin, 'Artistic intelligence' Hannover Kunstverein (2019) ‘Impakt Festival, ‘Los Algorithmos Suaves’, Centro del Carme, Valenica, Potsdam Film Museum (2018) ‘Zero Recoil Damage’, FolkestoneTriennial, ‘OpenCodes’, ZKM Karlsruhe, Germany, ‘Codex’ D21, Leipzig, The Trial of Superdebthunterbot, Zabludowicz Collection, London (2017) and more. Her work is held in private and public collections including The Whitworth Art Gallery, Gallery Oldham, Tate Library and Archive, The National Art Library, Joan Flasch Artist Book Collection, Museum of Motherhood, NY, Birth Rites Collection and MMU Special Collection. Residencies include; Trelex Residency, Switzerland (2019), Fault Lines, Future Everything (2017-2019), HMP Altcourse, Liverpool, (2017) Moscow ICA, (2015) Santa Fe Arts Institute, New Mexico (2013 Jodrell Bank Science Centre and Arboretum (1999-2001). A recipient of awards from Arts Council England international Development Fund and The Amateurs Trust, in 2012 she won the Neo Art Prize, Great Art Prize for two works from the Youtube Portraits Series.
http://www.helenknowles.com/
Trickle Down, A New Vertical Sovereignty is an artwork by Helen Knowles, supported using public funding from Arts Council England. The artwork is produced by FutureEverything with additional support from Whitworth Gallery, arebyte Gallery, FACT and One London Bridge.
With thanks to Daniel Dressel, BlockRocketTech, Denis Jones, Arone Dyers, Pablo Galaz, Lewis Sykes, Dave Beech, Damien Mahoney, Known Origin and The University of Salford.
7 Botanic Square
London City Island
E14 0LG
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